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  <url>
    <loc>https://www.liaewilson.com/work</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2019-05-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557160027938-K0U8APWKODKI7BBLRCN9/3-15-Tammy-Rae-Carland-Lesbian-Bed-13.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Tammy Rae Carland. Untitled (Lesbian Bed #13), 2002; c-print; 40 x 30 in. Courtesy of the Artist and Silverman Gallery, San Francisco.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557160082198-0REZN1YZRB5R85BEAXFN/3-15-Tammy-Rae-Carland-Im-Daying-Up-Here.jpeg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Tammy Rae Carland. I'm Dying Up Here, (Glitter Drapes), 2011; color photograph; 30 x 40 in. Courtesy of the Artist and Silverman Gallery, San Francisco.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557160749006-G7M2PSSYXO1S8HU4M6LM/4.3-Schneider-Untitled-Grocery.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Carrie Schneider. Untitled (Grocery), 2007; C-print, 36 x 30 in. Courtesy of the Artist and moniquemeloche, Chicago.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557160743084-F3W30YO0F62MH2UUKK5X/4.3-Wearing-Lily-Cole.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Gillian Wearing. Lily Cole, 2009; C-print, 24 x 19 in. Courtesy of the Artist and Tanya Bonakdar Gallery, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557164342145-CYY2FCCNFHMB7OTY8AE6/Fusco_Coco_Dr-Zira_5-600x400.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Coco Fusco. Observations of Predation in Humans: A Lecture by Dr. Zira, Animal Psychologist (study), 2013. Photo: Noah Krell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557164319887-U57OS12HGO2JZFG13ZIQ/Fusco_Coco_Dr-Zira_2-600x400.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Coco Fusco. Observations of Predation in Humans: A Lecture by Dr. Zira, Animal Psychologist (study), 2013. Photo: Noah Krell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557939654114-1ROO7K0NI8IHGY88BCE4/11-Pepe-600x364.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Sheila Pepe. Your Granny’s Not Square, 2008; crocheted shoelaces and yarn. 72 x 144 x 48 in. Courtesy of the Artist</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557939596267-9V1B9EV80NKVKYUD9P8U/01-Vincent-600x278.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Nathan Vincent. Locker Room, 2011 (installation view); 144 x 228 in. Courtesy of the Artist. Photo: Stephen Miller.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557939631827-8LS71AN2V8DLCO1K7SMZ/08-Roberts-600x675.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>LJ Roberts. The Queer Houses of Brooklyn in the Three Towns of Breukelen, Boswyck, and Midwout During the 41st Year of the Stonewall Era, 2011; Poly-fill, acrylic, rayon, Lurex, wool, polyster, cotton lame, sequins, and blended fabrics. 138 x 114 x 108 in. Courtesy of the Smithsonian American Art Museum. Photo: The Smithsonian American Art Museum.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557335636916-Z2FC4OQGCR6UU54W2HHK/5bedb2e442dcf.image.jpg</image:loc>
      <image:title>Work</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557335606317-8RCD0F1YL6R9OZO5FPZ6/5bedb2e3c7e60.image.jpg</image:loc>
      <image:title>Work</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557335661935-89VHL91KZEJR6ZAQUIDX/5bedb2e4895ad.image.jpg</image:loc>
      <image:title>Work</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557336362296-UMQO1QTT6O9GMB0BNR3B/5bedb26f5a24f.image.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Tessa and Hilary Irons. Photo courtesy of Able Baker Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557336420654-UN9B9DHCRK93PUFYDSPU/5bedb26f2a560.image+%281%29.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Wren Wethli. Photo by Mark Wethli</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557337241679-V20ZX6HU92OCSUIQ2SHJ/3.jpg</image:loc>
      <image:title>Work</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557337268316-1D0W6RVG9Y96W436G3T5/1.jpg</image:loc>
      <image:title>Work</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557337208919-DV7TNM9POTG6D69BW7LX/2.jpg</image:loc>
      <image:title>Work</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557340558688-A7OAXY0F6A6EQU8PKSN0/Marin.jpg</image:loc>
      <image:title>Work</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557341239323-GIHTL8UGXHFBYPXGX8VC/Wiley.jpg</image:loc>
      <image:title>Work</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557342185454-8RZNB0F55NMSHR4W3GO9/Accent+of+Autumn.jpeg</image:loc>
      <image:title>Work</image:title>
      <image:caption>David Driskell, Accent of Autumn</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557341876424-QN7IHY4SBWQGQPBVC2QL/5bdb598e554a9.image.jpg</image:loc>
      <image:title>Work</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557342578486-IJYZKROAEPW7OQ5Q051O/spectacularblackdeath_2-1024x738.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Performance still from S P E C T A C U L A R B L A C K D E A T H, 2016. Photo by Erin Colleen Johnson.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557342595847-AIZOLOPOQJMNTD1CMLI5/spectacularblackdeath_1-1024x683.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Performance still from S P E C T A C U L A R B L A C K D E A T H, 2016. Photo by Erin Colleen Johnson.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557843770116-PU0GQUD1QKHYF284K8LJ/Beverly-BuchananRuins-and-Rituals-Installation-ViewsJonathan-Dorado_10.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Beverly Buchanan—Ruins and Rituals, installation view. Photo: Jonathan Dorado.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557843633646-7QAB6B45S0JG192GMZA3/Untitled-Double-Portrait-of-Artist-with-Frustula-Sculpture.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Beverly Buchanan. Untitled (Double Portrait of Artist with Frustula Sculpture), n.d.; black and white photograph with original paint marks; 8.5 x 11 in. ©Estate of Beverly Buchanan. Courtesy of Jane Bridges and the Brooklyn Museum.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557843745561-7LTIY4DQWGZCJP8JBQMD/Low-Country-House.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Beverly Buchanan. Low Country House, n.d.; wood, 17.75 x 16.75 x 13.25 in. ©Estate of Beverly Buchanan. Courtesy of Jane Bridges and the Brooklyn Museum. Photo: Adam Reich.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557843658040-9J76ADZDIUESV9I9ISG9/Untitled-Slab-Works-1.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Beverly Buchanan. Untitled Slab Works 1, circa 1978-1980; black and white photograph of cast concrete sculptures with acrylic paint in artist studio; 8.5 x 11 in. ©Estate of Beverly Buchanan. Courtesy of Jane Bridges and the Brooklyn Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557844556240-O3RMROLS8NGEUVQEUSYW/still_2-copy.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Alec Soth. Summer Nights at the Dollar Tree, 2012 (video still); single-channel video; 6:23. Courtesy of the Artist.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557844346583-AZDTJS597HCJBOY3ENYY/still_4-copy.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Alec Soth. Summer Nights at the Dollar Tree, 2012 (video still); single-channel video; 6:23. Courtesy of the Artist.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557844326883-G7RVIO0FWT1POJWMEAV8/still_1-copy.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Alec Soth. Summer Nights at the Dollar Tree, 2012 (video still); single-channel video; 6:23. Courtesy of the Artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557844767316-MXZWB8A5O2SL25SDX659/Wolfli_Adolf_cab-A1302.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Adolf Wolfli. Untitled (Saint Adolph Bitten in the Leg by the Snake), 1921; colored pencil and pencil on paper; 26-3/4 x 20-1/8 in.; Waldau Clinic, Bern, Switzerland. Collection de l’Art Brut, Lausanne, Switzerland. Photo: Marie Humair</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557844932200-WDCXJAKB00D335DCDPWP/Gie_Robert_cab-A423.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Robert Gie. Distribution d’Effluves avec Machine Centrale et Tableau Métrique (Distribution of Emanations with Central Machine and Metric Table),  circa 1916;  pencil and India ink on tracing paper; 19-1/2 x 26-3/8 in. ; Rosegg Psychiatric Clinic, Switzerland. Collection de l’Art Brut, Lausanne, Switzerland. Photo: Arnaud Conne</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557844794442-5FBMOYJRDSRDT0QCMYP5/Lesage_Augustin_cab-1111.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Augustin Lesage. Composition Symbolique, Amour pour l’Humanité (Symbolic Composition, Love for Humanity), 1932; oil on canvas; 38-1/4 x 27-1/2 in.; Pas-de-Calais, France. Collection de l’Art Brut, Lausanne, Switzerland. Photo: Claude Bornand.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557937933186-1M47O4ZX0840HJ9ZDC8H/Guerrilla-Girls.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Guerilla Girls. The Advantages of Being a Woman Artist from Guerilla Girls, Most Wanted, 1985–2006, 1988; lithograph printed in black on paper, 17 x 22-1/8 in. Courtesy of Smith College Art Museum, purchased with the gift of the Fred Bergfors and Margaret Sandberg Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557938371690-F3BBQ117YT0HGO15BIQT/WilsonPortfolioGoddess.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Martha Wilson. Goddess from a Portfolio of Models, 1974; gelatin-silver print and typewritten text on paper; 9-3/8 x 7-3/8 in. Courtesy of Smith College Art Museum, purchased with the Dorothy C. Miller Class of 1925 Fund.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557938044059-7D7MCJXE0O6EAV5PTWQC/Schneeman.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Carolee Schneeman. Eye Body #1, 1963–79; gelatin-silver print with hand coloring and scratching; 14 in x 11 1/2 in. Courtesy of Smith College Art Museum, purchased with the Judith Plesser Targan Class of 1953 Fund.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557938682008-GGXP7X661GTJ8MLK3PHC/5.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Tseng Kwong Chi. William F. Buckley Jr., 1981, from the Moral Majority series; gelatin silver print, printed 2014; 10 x 10 in. Courtesy of Muna Tseng Dance Projects, Inc., New York</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557938763565-9QT4EUJIK9A3ITDGP8EP/1.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Tseng Kwong Chi. New York, New York (World Trade Center), 1979, from the East Meets West series; gelatin silver print, printed 2014; 36 x 36 in. Courtesy of Muna Tseng Dance Projects, Inc., New York</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557938650633-5BQ0H4YP0DT0INKM7793/4.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Tseng Kwong Chi. Art After Midnight, New York, 1985; vintage gelatin silver print; 36 x 36 in. Courtesy of Muna Tseng Dance Projects, Inc., New York.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557938781367-68F2YBZCYSWUCRPRBKDH/2.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Tseng Kwong Chi. Niagara Falls, New York, 1984, from the East Meets West series; vintage gelatin silver print; 36 x 36 in. Courtesy of Chrysler Museum of Art, Norfolk, Virginia.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557939193222-7N1EUX1ROTTDTCFH3WAK/5.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Margret: Chronicle of an Affair—May 1969 to December 1970, 2015 (detail). Courtesy of White Columns/Delmes &amp; Zander.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557939341076-HSGJ76EMOXZPAO8XMYEL/3.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Margret: Chronicle of an Affair—May 1969 to December 1970, 2015 (detail). Courtesy of White Columns/Delmes &amp; Zander.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557940522448-5LBRRA4KK0MMF8BFG2X3/MS08.167-framed-HR-600x899.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Malick Sidibé. Nuit de Noel (Happy Club), 1963/2008; silver gelatin print. Courtesy of the Artist and Jack Shainman Gallery.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557940377987-V2PLS3UHZYW58KUL8759/MS09.036-framed-HR-600x899.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Malick Sidibé. Soiree, 1972/2008; silver gelatin print. Courtesy of the Artist and Jack Shainman Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557940403075-MUFL2HZE0Q7N8NLR0705/MS04.040-framed-HR-600x900.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Malick Sidibé. Untitled, 1969/2004; silver gelatin print, hand-painted wooden frame. Courtesy of the Artist and Jack Shainman Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557940493843-F3Q99QX7F370WKVP3KJP/MS07.011-framed-HR-600x899.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Malick Sidibé. Regardez-Moi, 1962/2007; silver gelatin print. Courtesy of the Artist and Jack Shainman Gallery.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557945666229-0IZMLLCMIOIX8G8NL09X/Gilliam-Red-April.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Sam Gilliam. Red April, 1970; acrylic on canvas, 110 x 160 in. Courtesy of the Iowa Museum of Art, Gift of the Longview Foundation.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557945632256-HRMFLF4JAHEC4NKK9SVJ/Hammons-The-Door.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>David Hammons. The Door, 1969; wood, acrylic sheet, and pigment construction, 79 x 48 x 15 in. Courtesy of Collection of Friends, the Foundation of the California African American Museum, Los Angeles</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557941003663-F68VJ2FS59B5EZU46X4W/Whitten-Birmingham-1964.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Jack Whitten. Birmingham 1964, 1964; aluminum foil, newsprint, stocking, and oil on plywood; 16 5/8 x 16 in. Courtesy of the Artist and Alexander Gray Associates, New York.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557942044455-05P17LNK7GMOBBM3H9FO/Crosby.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Njideka Akunyili Crosby. And We Begin to Let Go, 2013; installation view, 2015 Triennial: Surround Audience, New Museum, New York. Courtesy of Speyer Family Collection, New York. Courtesy of the Artist and Victoria Miro Gallery, London.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557942222957-3O5YFFRRVHALFXGTCY1J/Abbas.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Nadim Abbas. Chamber 666 “Coppola,” 2014–15; installation view, 2015 Triennial: Surround Audience, New Museum, New York. Courtesy of the Artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557942014338-RGDR453MC0Q5MGKGX14F/Navarro.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Eduardo Navarro. Timeless Alex, 2015; installation view, 2015 Triennial: Surround Audience, New Museum, New York. Courtesy of the Artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557942780757-45URF11XDDT5GT8KWTI8/4.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Untitled mug shots; installed at Winter Works on Paper, Outsider Art Fair 2015. Photo: Lia Wilson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557942833180-ZSGEAD7W0RJX883Q2LMA/2.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Edward Deeds. Untitled, 1936–66; installed at Hirschl and Adler Modern, Outsider Art Fair 2015. Photo: Lia Wilson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557942803524-GTBUE7XV29AYHG8VGRR7/3.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Philadelphia Wireman. Untitled; installation view, If I Had Possession Over Judgment Day, Outsider Art Fair 2015. Photo: Lia Wilson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557943480151-1WBHVOH0I7CLD1CQ80O9/Adonis-Flores-Visonario.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Adonis Flores. Visionario, 2003; digital print; 36 x 24 in. Courtesy of Ben Rodriguez-Cubenas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557943507138-O8M4BAPFIDFQD5TXMUTW/ADAL-Spanglish-Sandwich.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Adal Maldonado (ADAL). El Spanglish Sandwich, 2000; printed ceramic plate and stand; 8-inch diam. Courtesy of El Museo del Barrio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557944749434-1HK6LVX5CN1K6DJTWIFR/Does-the-Brown-Bag-Test-Really-Exist_-600x756.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Ayana V. Jackson. Does the Brown Paper Bag Test Really Exist?/Will My Father Be Proud?, 2013; archival pigment print; edition of 6 and 3 artist proofs; 54 x 42.7 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557944842544-87JZV4DMLST5Q9Y75C9P/What-will-you-tell-them-about-me_.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Ayana V. Jackson. What Will You Tell Them About Me?/Do You Feel Pain?, 2013; archival pigment print; edition of 6 and 3 artist proofs; 39 x 65.6 in</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557944717054-5MFA690GUSAQVU7XE3N3/Prototype_-Phenotype-600x517.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Ayana V. Jackson. Prototype/Phenotype, 2013; archival pigment print; edition of 6 and 3 artist proofs; 39.4 x 45.5 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557945191524-KZ47JSB7GLU2BCVPSMJ1/Afromuse_45.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Chris Ofili. Untitled (Afromuse), 1995–2005; watercolor and pencil on paper; 9 ⅗ x 6 ⅕ in. Courtesy of the Artist; David Zwirner, New York/London; and Victoria Miro, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557945313652-CNKQO9Q060RI4QSXQ72N/Afronirvana.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Chris Ofili. Afronirvana, 2002; oil, acrylic, polyester resin, aluminum foil, glitter, map pins, and elephant dung on canvas; 108 x 144 in. Courtesy of the Artist; David Zwirner, New York/London; and Victoria Miro, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557945213767-202C0FJEQS2DU3D9FVUA/The-Adoration-of-Captain-Shit....jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Chris Ofili. The Adoration of Captain Shit and the Legend of the Black Stars (Third Version), 1998; oil, acrylic, polyester resin, paper collage, glitter, map pins, and elephant dung on linen; 96 x 72 in. Courtesy of the Artist; David Zwirner, New York/London; and Victoria Miro, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557946625282-QD6R6A91PZZ5WY0TYGC8/Star-Power.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Nick Cave. Star Power, 2014; mixed media including wooden fist, vintage stools, and star quilt . © Nick Cave. Photo by James Prinz Photography. Courtesy of the Artist and Jack Shainman Gallery, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557946032061-LTZBBAZRGQ3BOTW5W58Z/NC14.007-Sea-Sick-HR.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Nick Cave. Sea Sick, 2014; mixed media including oil paintings, ceramic container, cast hands, and plastic ship. © Nick Cave. Photo by James Prinz Photography. Courtesy of the Artist and Jack Shainman Gallery, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557946599836-ZNA1II1FKDTF5O22KN40/NC14.019-Golden-Boy-HR.jpeg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Nick Cave. Golden Boy, 2014; mixed media including concrete garden ornament, vintage high chair, dildo, and holiday candles. © Nick Cave. Photo by James Prinz Photography. Courtesy of the Artist and Jack Shainman Gallery, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557949701887-Z4I2WW9KR2SOAYADZKDY/13-Voiceover.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Mel Bochner. Voiceover, 2006-2012; oil on canvas; 36 x 28 in. Pergamont Collection. Artwork © Mel Bochner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557949777020-XWH1UHHN6OLK7WUZNR93/20-Dollar-Hash-Exclamation-Plus.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Mel Bochner. Dollar Hash Exclamation Plus, 2011; oil and charcoal on canvas; 45 x 60 in. (114.3 x 152.4 cm). Courtesy of Peter Freeman. Artwork © Mel Bochner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557949681136-0198AM5OGU5N96DBPLR7/17-Going-Out-Of-Business.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Mel Bochner. Going Out of Business, 2012; oil on velvet; 93 1/2 x 70 1/4 in. Private collection. Artwork © Mel Bochner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557950135631-6OU1QLFHA0WF10Y491II/Maurino-Auriti.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Marino Auriti. Encyclopedic Palace/Palazzo Enciclopedico/Palacio Enciclopedico/Palais Encyclopédique or Monumento Nazionale. Progetto Enciclopedico Palazzo (U.S. patent no. 179,277), 1950s; wood, plastic, glass, metal, hair combs, and model kit parts; 11 x 7 x 7 ft. Collection of the American Folk Art Museum, New York. Gift of Colette Auriti Firmani.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557950085660-2B6AUSZNP40WBKF3VZLD/Outsider.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Advertisement for the 2014 Outsider Art Fair, from the April 2014 issue of Art Forum. Photo by Lia Wilson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557950155256-PFGL5C55HIGBX3NJ505E/Judith-Scott.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Judith Scott. Untitled, before 1991; yarn and fabric with unknown armature; 6 1⁄2 x 62 x 11 in. Collection of the American Folk Art Museum, New York. Gift of Creative Growth Art Center. Photo: Gavin Ashworth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557951038129-FS5L4TK8KKZ79V7SQRM9/Jefferson.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Suzanne Opton. Soldier: H. Jefferson – Length of Service Undisclosed, 2005; archival pigment print; 41 x 52 in. Courtesy of Sikkema Jenkins.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557951062913-XUWQ3JQSMBTMAXQQCY65/Pry.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Suzanne Opton. Soldier: Pry – 210 days in Afghanistan, 2004; archival pigment print. 41 x 52 in. Courtesy of Sikkema Jenkins.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557160251452-F3MRGVPTZG0081VAOWBJ/3-15-Tammy-Rae-Carland-Lesbian-Bed-13.jpg</image:loc>
      <image:title>Work</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557160980648-B16USQT4N4PM59ZDMFZ3/4.3-Wearing-Lily-Cole.jpg</image:loc>
      <image:title>Work</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbf41b734c4e2302f8143e0/1557164531281-EL3SKAK55RP30N4GSVPX/Fusco_Coco_Dr-Zira_5-600x400.jpg</image:loc>
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